Rind Sar Ho Sapdi Kun Yae - Shamas Faqir

Zind Paanei Gatchi Marunyae

Rind Sar Ho Sapdi Kun Yae

Onn Laegith Wounn Gatchi Duinyae

Nyaeri Byoun Byoun Zag Tai Proun Yae

Hath Dal Dith Nairi Mol Nunyae

Rind Sar Ho Sapdi Kun Yae

Yas Dae Di Tas Kya Pranunyae

Gatchi Aasun Panun Panun Yae

Hyon Mael Gatchi Arkhol Te Kunyae

Rind Sar Ho Sapdi Kun Yae

Mokhte Phaeli Gatchi Dal Tal Hyun Yae

Douni Golarei Woulur Pazunyae

La-Nihayat Manz Gatchi Hyun Yae

Rind Sar Ho Sapdi Kun Yae

Ani Gatti Gatchan Kanni Phutraenyae

Azdaha manz' Lal Khalunyae

Zaal Tchangi Rath Maaz Khyu Panun Yae

Rind Sar Ho Sapdi Kun Yae

Ashq e daryaav Thaa Gaem Son Yae

Bronth Kaesith Wonn Kem Onn Yae

Shoonth Sapdakh Daam' Hyu Chon Yae

Rind Sar Ho Sapdi Kun Yae

Patchne Brounthei Gatchi Patchun Yae

Shamas Faqeerun Tee Watchun Yae

Gatchi Sahib Torai Patchun Yae

Rind Sar Ho Sapdi Kun Yae

Kashmiri Script of the Kalaam:

Rendered sublime by Rashid Hafiz:

Zind Paanei Gatchi Marunyae - thesufi.com

Aashqas Mashooq Meelith Chu Mairaj - Shamas Faqir

Aashqas Mashooq Meelith Chu Mairaj Mokhtas Raazhonzaiye

Pokhte Kaarov Ratchi Yem Khaas kaame Khaas ul Khaas Miltchaar

Dostas Pritchoum Kya Sanah Dosti Maal Jaan kormas Baaiye

Deen Eemaan Mai Loot' Nyunam Dil Shil Ham a Yak Baar

Ikhlaas'chai Dae'di Be Tchayous, Ikhlaas Chu Almaasaiye

Kaar e Ikhlaas Gov Kar e Azkaarai Azkaar Yik Wat Khaen Zahar Khaar

Naen Yaar Pranaan Jaen i Yaaras Kya Raetith Faeni Laiye

Hoo Te Rooh Myonei Zaen i Yaaras Zu Te Mour Cha Jaen Yaar

Kaenz Paavas Yod Travakh Qandai Zanh Te Nou Tchailyas Gandgiye

Wondai Raavi Haantch' Karni Seeiti Tchyandnas Banya Deodaar

Arkhalis Karte Paivandai Babrey Sapdya Soiye

Tethvyanas Hai Maatch Milnavak Toti Chui Tyoth Zahaar

Be Ashqas Botei Hoonis Tchot Pat Tchot Chui Khoiye

Gat Vejnas Nafs e Shooman Nahaqai Khotus Pindaar

Sher Sund Haal Kov Zaani Shaal Gaal Gatchaes Nasihat No Haiye

Mashgat Kerith Ath Hoon' Meslas Zanh No Banyas Bulgaar

Husn e Majaz Naaz Dar naaz Soorat Bandar Seeratiye

Khaalai Zulfiki Ha Bo Zaal Logthas Nael Gaem Kaal Shahmaar

Cheeniyan Seethei Be Ha Cheeni Gos Cheen Gos Macheen Baiye

Shah e Cheenas Sath Cheen Zeenimas Path Cheen Kermas Laar

Saath Zulmaat path Kun Traiwith Zulmat i Akbar Chuiye

Chath Nyerakh Tati Aab e Hayat Lal Chei Be-Shumaar

Shah e Habshan Maye Dyutnam Tchai Ros Chu Hai Dar Haiye

Tai Hay Sapdum Ath Manzilas Maaney Zaani Beenadaar

La Sapdyoum Saarni Maqaman Maqam e Mahmood Aalwaiye

Nai Tati La Nai Tati Illallah Darhaich Kyenh Nai Kaar

Shamas Majnoon Wuchaan Gulgoon Harmokh La La Chuiye

Panai Razhonz Shamas Majnoon Panai Naaz Mokhtehaar

Kashmiri Script of the Kalam:

Words weaved musically in amazing tune by Rashid Hafiz:

Doun Laalan Hyamath Qe'mate - Shamas Faqir

Balyaaro Nyutham Mai Dilo

Doun Laalan Hyamath Qe'mate

Ganj Be-Qayas Choun Moulo

Doun Laalan Hyamath Qe'mate

Awlai Noor Aous Mukmalo

Khan' Aeshqan Kaerim Daen Raeti

Tchaen Chui Ne Tath Drav Mujmalo

Doun Laalan Hyamath Qe'mate

Isbaat i Wajood Chu Mufsalo

Wehdat i Wajood Moujood Khod Zaeti

Magz i Wahdat Chaav Kaemilo

Doun Laalan Hyamath Qe'mate

Sath daryaav Drai Nirmalo

Tath Manzilas Waetith Gaem Braenti

Tati Shinyaah Payan talo

Doun Laalan Hyamath Qe'mate

Tchath Nafsas Saeri Kalo

Khath Kashf Bei Karamaeti

Shah Sapdakh Bankh Aahalo

Doun Laalan Hyamath Qe'mate

Kashmiri Script of the Kalam:

A soulful rendition of the kalam by Rashid Hafiz

SHAMAS FAQIR (1843-1901)

Shamas Faqir was born in Chinkral Mohalla, Habba Kadal, Srinagar. His real name was Mohammad Sidiq Bhat. Since childhood Shamas Faqir was drawn towards tassawuf. At 12, he started working under Neyam Saeb, who at that time was very old. Through Neyam Saeb, he reached Soch Milyaras. Apart from Soch Milyaras, he remained under the apprenticeship of Abdul Rehman of Barzulla, Atiqullah of Qalai Andar, Mohammad Jamal ud Din and Rehman Saeb of of Ghulab Bagh. For four years he collected the spiritual grace from Mohammad Jamal and remained loyal to Rehman Saeb till he was alive.

Shamas Faqir was a Sufi saint of Qadri Silsila and upon Qamal ud Din's direction he went to Amritsar in company of a majzoob (whose name is not known). Upon his return he stayed in Anantnag and married there. He remained in a cave for six months at Qaiz Bagh, Budgam and upon returning stayed forever at Krishpora. His mausoleum is also situated there. Tradition has it that when he was about to leave this world, he would sing:

Makk Madinas Barr Che Waeitheye

Neyaer Latiye Rouff Karaan

Door Chei Haraan Noor Phaeteye

Neyaer Latiye Rouff Karaan

He is survived by two sons and a daughter.

(Source: Kaeshir Sufi Shaiyiri, J & K Academy of Art Culture and Languages)